Top advices for artists today by GlobalTalentNetwork: Track and Select: Our easy-to-use tracking software simplifies keeping track of your top applicants and moving them through your hiring process. Reports and Analytics: TalentNest helps you get the essential information you need to run your HR department. Reports on Time to Hire, retention, candidate source performance, turnover — we have you covered! Our fully hosted branded job board easily integrates with your career site and provides a landing page to post jobs, including internal-only postings. Your job board integrates with external online job boards to help distribute your postings for increased candidate flow. Read more info artists connection database.
GlobalTalentNetwork tips for talent companies : If you’ve identified potential clients, your next step is to contact those clients and ask if they have a need for models. Initiate conversation with a telephone call. Ask who is in charge of making the final decision about hiring models. Some conversation-starter ideas include asking if they would like to know about a way to save money and increase the quality of their advertising or if they are still looking for models who can represent their company effectively. Offer to take that person to lunch to discuss what your agency can offer her business. Seek out additional networking opportunities at local business fairs.
Referrals can help. Grossman Jack Agent Jess Jones shares “As an agent and as an agency, we take talent referrals very seriously. If you are working with an actor (someone you like and trust and respect), and if they are working with an agency you also like and respect, a referral of you to their agent would probably go a long way.” Remember, this is a business and even though agents are usually friendly folk, it doesn’t mean they are your friend, so don’t act too familiar or over share when you first meet a potential agent. Think “business casual” behavior in which professionalism, timeliness, and preparedness are key. Find extra details https://globaltalentnetwork.com/.
You can also check out GlobalTalentNetwork’s online directory of agents and managers, or pull a list of franchised agents from SAG-AFTRA. Although there are certainly reputable agents who are not SAG-AFTRA franchised, it’s easier to check out those who are—plus, they’re accountable to a supervising entity. Research your candidates. Determine how many agents work for the agency, where the agency is located, how long the agency has been in business, what their submission guidelines are, who else they represent, etc. GlobalTalentNetwork’s Call Sheet includes a lot of this information, and you can check out an agency’s website for additional context. And don’t forget to run your list through the Better Business Bureau to see if anyone has filed claims against the agencies—this will help protect you from scam operations or disreputable agents.
One key to getting auditions is to remember that actors should see themselves as a small business, so “think about what look you are selling,” advises acting coach and Backstage Expert Matt Newton. One of his tips for figuring this out? “Write down three shows you could see yourself on. Series regular, guest star, co-star, whatever…. Watch [these shows], learn from them, observe what kind of actors they are casting. Take notes. Look up the casting director and the actors. If you are right for that show, and are trained, and they cast your type over and over, then by all means sign up for a casting director workshop to meet them in person. If you are over 50 and play ‘extraterrestrial’ roles all the time, probably don’t sign up for a soap opera casting workshop. Again, it’s all about being smart and knowing yourself.”
Talent managers handle public relations and media exposure, such as appearances on TV shows, interviews with journalists, and social media presence. A talent manager can advise career and contracts but cannot negotiate job contracts on your behalf. Talent managers can advise on income, investments, and manage the monetary flow of a client’s business. Talent managers usually have only one client and payment is either via salary or commission.
Your dream is to become a working actor. You’ve always been told you “have it,” but the phone doesn’t ring for callbacks. What separates professionals from wannabe prodigies isn’t inspiration. It’s preparation and execution. Take control of your audition with these 10 helpful tips to improve your skills. Show variety: Feel the levels and dynamics in the scene. Don’t play one emotion. If the character is angry or tough, when might they show some vulnerability? Wannabe? Not you! Interesting, memorable auditions will start to happen for you when you dig into scripts with these thoughts in mind before and during your auditions.
That said, there is no single way to memorize lines, but there are a few other methods that will make the process a bit easier. Some actors like to handwrite lines while others prefer resources such as WeAudition.com, a platform that allows actors to virtually rehearse their lines with other actors, and apps such as tableread or Rehearsal 2, which allow you to record the other parts in the script with enough space to recite your own lines. “The secret for me is to whisper my lines and read the other character’s lines out loud when I’m recording, so I don’t get too caught up in the way I’m saying my lines, but I know how much time I have to say them,” says acting coach Matt Newton about using Rehearsal 2. “I will literally put my iPad on a chair and pretend I’m running lines with someone. It’s so much better than a tape recorder.”
The purpose of the meeting is to give the agent a chance to determine if you can make it as an actor, so be ready to perform for the agent. That means to have a monologue prepared to recite at a moment’s notice and be prepared to do a cold reading from a script that the agent hands you. You should never be afraid to ask questions during your interview. Here are five questions you should ask during your meeting. Who will represent me from your agency? How many clients do you currently represent What kind of actor do you see me? How many other actors do you serve actors that are similar to me? How would you direct my career? What kind of work have you gotten in the last six months for your actors?